Summer Moon
Far from the city lights.
Far from the city lights.
Looking west on a cold, wet morning.
Were the icons atop the church inspiration for Rodin, just a few blocks away?
Looking out at the end of the platform of Gare St. Lazare.
Waiting for a Manhattan-bound N train at Astoria Blvd and 31st Street on a cold afternoon.
A fishing vessel undergoing repairs in a Cape Town dry dock.
Part of the fishing fleet in Cape Town.
In the gate area as an Asia-bound airplane prepares for departure.
Emily Kinney live at Rockwood Music Hall. I don’t know what her percussionist was playing, except to call it a box, but it was a good sound and a good show.
Inside the legendary Mabu Vinyl, with Rodriguez shirts on the far wall.
A hot day with storms brewing. From the bridge between Phalombe’s Healthy Center and the village.
During my visit to a rural village with UNICEF, described in my story of the School Under the Tree.
An afternoon walk through Lilongwe’s central market.
A street in the shadow of the mountains.
Near the Ministry of Health.
Whether on a layover or at an end of a trip, DTW’s Terminal A was the place. It had been years since I’d used another terminal, and far longer since I’d transited between them. When I first started my overseas trips in 2000, Detroit Metro Airport was one of the least modern in the country, the capacity of its 1960s-era technisqualor buildings long outstripped by passenger traffic. Then came the bulldozers and cranes. Now the terminals are linked by this tunnel that features a light show synchronized to the music. It’s a half mile psychedelic trip more akin to a tropical fish tank than a tube beneath the tarmac. But Detroit isn’t short on contrasts.
Mabu Vinyl, the Cape Town record shop at the center of the Sixto “Sugar Man” Rodriguez universe.
Table Mountain, as seen while hanging out my hotel window in Cape Town.
Part of the fishing fleet in Cape Town’s waterfront harbour.
The Gooderham (Flatiron) Building behind trees on Wellington Street.