Matt Feldman Photography
Shoppers at Le Bon Marche in Paris.
A long view of the different floors of the Louvre’s Richelieu wing, with modern architecture that’s an unmistakable nod to Louis Kahn and his geometric features.
I am selflessly volunteering. It starts with some kind of twitch, I think, and from what I can gather, most of you are afflicted with some form of this thing, too: After going some while without being on a plane across an ocean, without having another stamp in the passport, without the struggle of a strange language in a strange land, without the gastrointestinal chaos that inevitably comes from cuisine found just the other side of one’s sphere of microbial familiarity, the twitch metastasizes.
A distinct splash of colour amidst the muted tones of Davisville station.
The sign says “The most important collection of modern and contemporary art in Europe.” That both says it all, and is merely a beginning — a portal to…