The sign says “The most important collection of modern and contemporary art in Europe.” That both says it all, and is merely a beginning — a portal to…
Years ago, before a trip to New York City, I read about Donald Judd’s studio and efforts to preserve its contents and open it to visitors. Yesterday’s New York Times has a beautifully written story about Judd, his work and those restoration efforts, now complete.
A long view of the different floors of the Louvre’s Richelieu wing, with modern architecture that’s an unmistakable nod to Louis Kahn and his geometric features.