A long view of the different floors of the Louvre’s Richelieu wing, with modern architecture that’s an unmistakable nod to Louis Kahn and his geometric features.
Years ago, before a trip to New York City, I read about Donald Judd’s studio and efforts to preserve its contents and open it to visitors. Yesterday’s New York Times has a beautifully written story about Judd, his work and those restoration efforts, now complete.
The sign says “The most important collection of modern and contemporary art in Europe.” That both says it all, and is merely a beginning — a portal to…